Nam June Paik at Asia Society

    Before taking this course, I never heard of Nam June Paik, since I never paid much attention to modern art. Actually, I don't think I've ever paid any attention to modern art. And going to check out Nam June Paik's exhibit "Becoming Robot" at the Asia Society in New York, I remember why. I won't go as far to claim that the work I saw was pretentious; but I honestly wasn't able to grasp the idea of the exhibit in its entirety. The work he put on some old fashion technology was certainly unique, but it's not much I could commend.
    I personally felt that it lacked any elegance or personality. There's this lack of the 'wow' factor of the spectacle in art recently, it seems. In the old days, we would have Greek sculptures or beautiful paintings by Van Gogh and Monet. But today in art, or rather modern art, it's all 'ironic' kinds of pieces that 'tackle' society; that don't really tackle society. And if it does, than it does it so ambiguously that it could mean anything else.
     However I'm not discrediting Nam June Paik's work. Since I'm not active in the 'art' world, I probably just don't have the ability of dissecting the meanings behind his artwork. But it was certainly interesting to look at how he manipulated inanimate objects to make them look like people; albeit, I've seen many children also do a very elementary form of the same kind of 'art'. And like I said, it's very likely that I just didn't get the message, because I don't normally pay attention to modern art. So I probably have no knowledge of the entire field.

Excuse Me

        Excuse Me is a playful film that follows a man tracing the steps of what seem to be a complete stranger, who is unaware of his presence. The piece was actually filmed backwards, which I think is a fun fact. We started shooting on the subway to Grand Central, filmed on location in the terminal with real pedestrians of course, and made our way to Times Square and Hells Kitchen where the film starts. The entire movie was shot handheld, to get the 'shaky adrenaline' feel in order to capture the main character's frantic emotions as he tries to reach this stranger. It was also shot in night and saturated with juxtaposed colors to emphasize the fast nightlife of the city.
         I wanted New York to be a character as well, I wanted to give midtown its own personality. So I shot it with a hint of grain that gave it a backstage Broadway/Late Show/SNL kind of feel. As if each angle is the perspective of a passing pedestrian. I didn't want the film to take place in New York, just because we're situated here; I wanted there to be a reason as to why we were in New York. So I used Manhattan's density and crowd as an obstacle for our main character to achieve his goal. In ways it mirrors the idea that in New York, achieving what you want isn't easy. You see it in front of you, but you have to chase it here in order to grasp it.  I later on used music, that mainly only consisted of fast-paced wacky drums, to saturate this feeling. The music is from Birdman, a film that 'half' inspired this piece, in terms of atmosphere and cinematography.
         The two actors I had are Rene Sun, a fellow classmate in the Media 160 class, though she is in a different section, and Adehm Geller, a veteran student of the same course. I directed, shot, and edited this piece.

Blog 4 - The Relevance of James Bond

       Skyfall, directed by Sam Mendes (American Beauty, Revolutionary Road), is, in my opinion, the best James Bond film currently; also it is one of my most favorite films of all time. The entire movie is not only shot beautifully by my favorite cinematographer Roger Deakins, but reinvents the entire franchise of 007. In many ways it's one of the best action films to exist, not just because of its genius directing and it's gorgeous cinematography, but because of its messages. Skyfall is much like a statement that justifies the fact that James Bond can still matter and be cool to the new generation.
       There are many moments in Skyfall that reflect this statement, such as James Bond 'coming back from the dead' or when James Bond meets Q, who makes a sly remark on Bond's old gadgets. But it is this moment in the film that brings everything today. In this scene three messages are being told by M. One message, is for the film's story, where M persuades the British Prime Minister that the 00 section shouldn't be shut down. This is simple enough to understand, and is the most superficial argument in her speech.
       The second argument is about modern day security, especially regarding to acts such as the Patriot Act. In the scene, M mentions that 'our enemies...are in the shadows'. Because most of our enemies are no longer nations or figures, they are rather terrorists and other criminals who lurk within. They don't represent any nation or leader, which makes the situation much more 'frightening'. While, she gives this speech, we intercut moments where Bond emerges from a Tube station in London that was attacked; and not so long ago, the London underground was struck by terrorist. This imagery is sure to remind the British the horror of that attack, and begin to understand that security is still important and should be handled carefully.
       Finally the third argument is a finishing statement on how Bond is not irrelevant, that Bond still matters. And that we shouldn't forget about James Bond. There is a legacy to this franchise, and it's not ending anytime soon. Even, if I've never been a fan of the Bond franchise before Daniel Craig's takeover, this movie has allowed me to understand how impactful the character can be. And what makes this scene all the more better is the amazing track that Thomas Newman composed for this moment. It generates a growing buildup to the scene's climax, and to the film's message's climax.

Trip to the MOMI

Being to the MOMI before, it wasn't a new experience for me to visit. I once went there almost three years ago, for an internship; and I can see that not much has changed. That doesn't mean I was disappointed with the museum, but it just didn't feel fresh. The one thing I do like about the place is that, it provides an interactive experience, where you could either dub your voice over a film scene or place random soundtracks from other films over unfitting scenes, to see the effect music brings. MOMI also as beautiful and elegant interior design, that never gets old to witness; parts of the lobby feeling like it came straight out of Tron Legacy. However, I just wish the trip felt more fresh, but considering that I've been there several times already, I pretty much know my way around it. Though a trip is better than a lecture, so I'm not gonna complain.

Audio Project

Audio Project

Blog Assignment 2 (Screw the Halloween Parade)

    For this assignment, I chose to walk around Greenwich Village last night, during the Halloween Parade, or well more like standing. First off, I'll confidently confirm that I probably will never return to that torture they call a parade, since I've never seen such chaos ever in my life. Such as a goddamn line to get into the subway station. Like what the fuck? But for the sounds, it was interesting. Right before the parade, it was rather calm and quiet. Yes, it was crowded, but it wasn't mayhem yet. For the most part, all you could hear were people around you asking, 'when is it starting?' Or 'I can't see anything from here.' It was interesting as I've never seen the West Village that silent before. You could literally hear the traffic from several streets away. The normal loud restaurants and bars were quiet. All of course, until the parade started, and everything went fucking berserk.
     You started hearing people yelling 'stop pushing' and 'what the fuck is going on?' At points it was comical, at others it was torture. The sound of the people in turmoil overpowered the drums and cheers of the parade. Honestly, I've never heard anything as chaotic as I did that night. And I think it was intriguing on how at points it sounded like Manhattan was being evacuated, because everyone was trying to get out of the anarchy; while the loud parade beats sounded like explosions being set off in the distance. I mean if you recorded the sound, it could probably fit with certain scenes in Cloverfield. But all in all, I think its safe to say that I won't be going back to that hell for a long time.

Media Project 1

Media 160 Project 1

Artist Statement

"A picture tells a thousand words" is a saying I truly believe in, for films especially. There is something extremely profound and empowering in the film medium that gives us, as the audience, a sense of ambivalence that is usually too hard or complex to explain and describe in the English language alone. And as a hopeful future filmmaker I would truly like to explore that.

Movies and films should always have intentions, be that the motion picture either wants to scare you or pump you up with adrenaline, there should always be a reason why this story is being told. And I believe the filmmakers who understand this most are auteurs. Auteur theory, I feel, is a misunderstood term. It's not about directors who only stay within their comfort zones, directing the same kinds of films.  But instead, auteurs are artists whom try to send their messages or stories in their own signature language.

My main inspirations are all filmmakers I would consider auteurs, Christopher Nolan (ex. Inception, The Dark Knight), Paul Thomas Anderson (ex. Magnolia, Punch Drunk Love), Satoshi Kon (ex. Millennium Actress, Paprika), and Terrence Malick (ex. The Tree of Life, The New World). They have all made films that venture through several different genres, but each of their works contain a dialect that can only be felt and seen by their works. And I highly respect all these filmmakers, because not only do they tell great stories, with great substance, they also experiment with their storytelling methods and structures.

I want to be recognized one day for that same reason, to make films that look upon to the wonder. To make something we don't see everyday. To tell stories with visual and narrative appeal in a unique and signature language. One where I want it to look deeper on the small wonders in the world that we don't normally pay attention to and constantly test human bonds surrounding these wonders. For example some of these wonders include fidelity, fate, time, and death. Things that are relevant in everyone's daily life, but expandable to regions that have yet been touched. And I want to broaden the medium to explore those untouched regions; in the end hopefully delivering an embellishing ride for everyone.